PART 1 WHAT’S A BAN? WHAT’S A CLASSIC?
CHAPTER 1 Literary Freedom – Limits and Exceptions
CHAPTER 2 Clash & Classics: Beautiful Frictions Between the Real and the Ideal
CHAPTER 3 The Futurity of Classics – The Case of Ovid’s Ars Amatoria, Banned in its own Time; Loved in Future Times
CHAPTER 4 Jack Kerouac’s On the Road – A Road to Fringe Culture
CHAPTER 5 Links Between Literary Classicism, the Avant-garde & Revolutionary Action
CHAPTER 6 The Case of James Joyce’s Ulysses: Avant-garde “Classic” Par Excellence, Paradigm Shift Par Excellence
PART 2 VARIETIES OF BANNED CLASSICS
CHAPTER 1 Joyce’s Ulysses: Conflicts with (Leading to Transformations of) the First Amendment
CHAPTER 2 Lolita: A Liminal Dialogue between Nabokov & Joyce on the Obscene
CHAPTER 3 Ovid’s Ars Amatoria – Sexually Obscene? Or a Catalyst for Feminine Agency and Rights?
CHAPTER 4 Mark Twain’s Huckleberry Finn: “Illustrator” of Racism or “Perpetrator” of Racism?
CHAPTER 5 Toni Morrison: The Saddest Bluest Eyes
CHAPTER 6 Margaret Atwood, The Handmaid’s Tale
CHAPTER 7 George Orwell, 1984
CHAPTER 8 J.D. Salinger, The Catcher in the Rye
CHAPTER 9 D.H. Lawrence, Lady Chatterley’s Lover
CHAPTER 10 Current Trends: Canceling Classics in the 2020s
Michael
Polesny
Michael V. Polesny has been teaching literary classics — among other forms of literature (Evil in Literature, Utopias and Dystopias in Literature)—at City University of New York since 2009, now presently at CUNY’s Lehman College. He did his undergraduate studies in English at Columbia University (NY) and his doctoral studies in English and Philosophy at The Graduate Center, CUNY. Former managing editor for The Agonist, treating the life and works of Friedrich Nietzsche, his current book project — called Deadly Boredom: Lessons from Classics on How to (and How Not to) Reclaim Enchantment — addresses what numberless philosophers have regarded as our past and present century’s number one epidemic, ennui, deadly boredom.