The All-Star Rhythm and Pitch Book

About the Author
Preface
Activity Roster
Introduction

Preliminary Rhythms

Level I
Change for a Quarter

Level II
What a Difference an Eighth Makes

Level III
Six of One

Level IV
Final Foray

Canon Change for a Quarter 4/4
Canon What a Difference an Eighth Makes 4/4
Canon Six of One 6/8
Canon Final Foray 4/4
Conducting Basic beat patterns 2/4, 3/4, 4/4
Conducting Conducting in 6 6/8, 6/4
Conducting Conducting in 5 and 7 5/4, 7/4
Dictation How to do dictation by yourself
Duet 1-A Follows Rhythms 1-C 2/4
Duet 1-B Follows Rhythms 1-D ¾
Duet 1-C Follows Rhythms 1-F ¾
Duet 1-D Follows Rhythms 1-H 2/4
Duet 1-E Follows Rhythms 1-I 6/8
Duet 2-A Follows Rhythms 2-B 4/4
Duet 2-B Follows Rhythms 2-C 2/4
Duet 2-C Follows Rhythms 2-D 6/8
Duet 2-D Follows Rhythms 2-G 2/4
Duet 2-E Follows Rhythms 2-I ¾
Duet 3-A Follows Rhythms 3-A 2/4
Duet 3-B Follows Rhythms 3-D ¾
Duet 3-C Follows Rhythms 3-E 6/8
Duet 3-D Follows Rhythms 3-F ¾
Duet 3-E Follows Rhythms 3-H 2/4
Duet 4-A Follows Rhythms 4-C 5/8
Duet 4-B Follows Rhythms 4-D 4/4
Duet 4-C Follows Rhythms 4-G 7/8
Duet 4-D Mixed meter 6/8, 3/4, 2/4
Duet 4-E Syncopations a la Charles Ives ¾
Preliminary A Wholes, halves, and quarters 4/4
Preliminary B Introducing triple meter ¾
Preliminary C Introducing rests 4/4
Preliminary D Triple meter with rests ¾
Preliminary E Introducing ties 4/4
Preliminary F Triple meter with ties ¾
Quartet 1-A Marching with quarters and eighths 2/4
Quartet 2-A Adds syncopation 2/4
Quartet 3-A Adds sixteenths 2/4
Quartet 4-A Adds triplet eighths and quarters 2/4
Rhythms 1-A Mixing rests and ties 4/4
Rhythms 1-B Triple meter with rests and ties ¾
Rhythms 1-C Introducing 8ths and 8th rests 4/4
Rhythms 1-D Triple meter with 8ths ¾
Rhythms 1-E Introducing dotted quarters 4/4
Rhythms 1-F Triple meter with dotted quarters ¾
Rhythms 1-G Introducing 16ths 2/4
Rhythms 1-H 16th rests in triple meter ¾
Rhythms 1-I Introducing 6/8 time 6/8
Rhythms 1-J Introducing 6/4 time 6/4
Rhythms 2-A Introducing syncopated 8ths 4/4
Rhythms 2-B Syncopated 8ths in 3/4 time ¾
Rhythms 2-C More 16ths ¾
Rhythms 2-D Dotted 8ths in 6/8 6/8
Rhythms 2-E Syncopated 8ths with ties 4/4
Rhythms 2-F More syncopated 8ths with ties ¾
Rhythms 2-G Dotted 8ths and syncopated 16ths 2/4
Rhythms 2-H Introducing triplet 8ths 4/4
Rhythms 2-I More triplet 8ths ¾
Rhythms 2-J Beethoven Symphony 5 3/8
Rhythms 2-K Shifting accents 4/4
Rhythms 3-A Tied 16ths from Joplin Rags 2/4
Rhythms 3-B Bach's 32nds 3/4, 4/4
Rhythms 3-C Introducing triplet quarters 4/4
Rhythms 3-D Tied triplet quarters 4/4
Rhythms 3-E Introducing compound triple meter 9/8
Rhythms 3-F Triplet halves, quarters, and 8ths 4/4
Rhythms 3-G Introducing mixed meter and double dots 2/4, 3/4, 4/4, 5/4
Rhythms 3-H Introducing 16th triplets 2/4
Rhythms 3-I Brazilian cut time 2/2
Rhythms 3-J 6/8 time with ties, hemiola, and duplets 6/8
Rhythms 4-A Introducing 5/4 time 5/4
Rhythms 4-B Advanced mixed meters 2/4, 3/8, 5/8, 7/8
Rhythms 4-C More advanced mixed meters 2/8, 3/8, 5/8, 6/8
Rhythms 4-D Introducing quintuplet 8ths 4/4
Rhythms 4-E More quintuplet 8ths 4/4
Rhythms 4-F Webern Concerto 2/4
Rhythms 4-G Introducing compound 8/8 8/8
Rhythms 4-H Stravinsky: Sacre excerpts 3/4, 5/8, 9/8, 7/8
Rhythms 4-I Rhythmic modulation 2/4. 3/4. 4/4, 6/8
Rhythms 4-J Counter rhythms 2/4, 3/4, 4/4, 5/4
Sing 1-A Conjunct motion in major
Sing 1-B Disjunct motion in major
Sing 1-C Arpeggios
Sing 1-D Expanding intervals
Sing 1-E Experimenting with minor
Sing 2-A Expanding intervals in major
Sing 2-B Expanding intervals in minor
Sing 2-C Chromatic neighbors and passing tones
Sing 2-D Chromatic nonharmonic tones in minor
Sing 3-A Stravinsky: Firebird Finale
Sing 3-B Chromatic neighbors and passing tones
Sing 3-C Modulation madness
Sing 3-D Expanding intervals in minor
Sing 4-A More chromatic neighbors and passing tones
Sing 4-B More modulation madness
Sing 4-C More chromatic adventures
Sing 4-D Stravinsky: Danse sacrale
Trio 1-A Halves and quarters, ties and rests ¾
Trio 1-B Using 8ths ¾
Trio 1-C More 8ths 4/4
Trio 1-D Dotted quarters ¾
Trio 1-E Using 16ths 2/4
Trio 2-A Using syncopated 8ths 4/4
Trio 2-B Using 16ths 2/4
Trio 2-C Dotted rhythms in 6/8 6/8
Trio 2-D Using triplet 8ths ¾
Trio 2-E Unpredictable ¾
Trio 3-A Using syncopated 16ths 2/4
Trio 3-B Using triplet quarters 4/4
Trio 3-C Using triplet quarters and triplet 8ths 2/4, 3/4, 4/4
Trio 3-D Exploring mixed meter 6/8
Trio 3-E Using duplets in 6/8 6/8
Trio 4-A L'Histoire du soldat 2/4, 3/4, 3/8
Trio 4-B Using quintuplet 8ths 2/4
Trio 4-C Exploring 7/8 7/8
Trio 4-D Trade Offs 2/4, ¾
Trio 4-E Stravinsky: Petrushka 2/4, 3/4