Film Scoring: A Digital Music Guide for Learning, Teaching and Creating Music for Film and Other Media

Acknowledgments
Preface

Chapter 1 Why Music in Film?
Chapter 2 Bringing Music History into the Classroom in a Unique Way
Chapter 3 The Director/Editor/Composer Dynamic
Chapter 4 The Voice—The Source of Everything in Music
Chapter 5 The Mechanics of Waves
Chapter 6 The Overtone Series, Whether We Like It or Not
Chapter 7 Song Form, Source Music, Click Track, and More About Motifs and Leitmotif
Chapter 8 The Secret Weapons 1 and 2
Chapter 9 Synchronization of Music and Picture—The Nightmare Begins
Chapter 10 Introduction to Orchestration—Woodwinds and the Orchestral Setup and Score
Chapter 11 Our First Job—The Good, The Bad and the Ugly, and Sound Waves
Chapter 12 Our Next Job—A Different Kind of Challenge—Vertigo and Brass Instruments
Chapter 13 Secret Weapons 3 and 4—Saving Time and Money
Chapter 14 Jaws, Publishing, Copyrights, Deals, and Infringement
Chapter 15 Three Compositional Techniques That Drive Contemporary Scoring
Chapter 16 Source Music Debacles and the String Section—Secret Weapon 5 and 6
Chapter 17 Blues, Rock and Roll, and Jazz
Chapter 18 Portman, Navarrete, and Corigliano
Chapter 19 Where Do We Go from Here?

Appendix