Finding the Method in the Efforts: A Movement Based Acting Prcoess

Author(s): Terri Kent

Edition: 1

Copyright: 2025

Pages: 96

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$30.00 USD

ISBN 9798385185245

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Finding the Method in the Efforts is a movement based acting process that is immediately applicable to the stage.  Have you ever wondered why you keep getting cast in the same kind of roles? Or feel as if you are being type-cast? You can change one simple element, either time, weight, or focus, and create a dramatically different character.

This workbook has everything you need to explore a movement based acting process including 15 explicit exercises, daily lessons plans, and space for journaling your reactions and observations.

In addition, the exploration of elements in Laban's Effort work, will help you identify actions that trigger emotional responses, much like classical conditioning, as seen in Stanislavski's Method of Physical Action.  You will be able to create a catalogue of emotionally connected actions which you can tap into when performing.

About the Author
Introduction 

EXERCISE #1 Defining and Exploring the Elements
EXERCISE #2 Exploring the Elements through Situational Application
EXERCISE #3 Combining the Elements or Laban’s Effort Work
EXERCISE #4 Introducing the Element of Flow 
EXERCISE #5 Applying the Efforts to Physical Action
EXERCISE #6 Incorporating the Breath and the Voice
EXERCISE #7 Shaping Language with the Efforts
EXERCISE #8 Exploring Personal Evaluations 
EXERCISE #9 Fulfilling Intentions with Efforts
EXERCISE #10 Creating Character with Efforts
EXERCISE #11 Presenting a Monologue with a Single Effort
EXERCISE #12 Making a Transition with Effort
EXERCISE #13 Presentation of Diagramed Monologue
EXERCISE #14 Diagraming a Scripted Monologue
EXERCISE #15 Final Presentation of Scripted Material

Conclusion 
Bibliography

Terri Kent

Terri Kent is a renowned theatre artist with forty-plus years of experience. She is a member of Actors’ Equity Association (AEA) and the Stage Directors and Choreographers Society (SDC). Terri is the Producing Artistic Director of Porthouse Theatre, the professional company affiliated with Kent State University, where she also serves as Professor and head of the nationally acclaimed BFA Musical Theatre program. Terri’s directing career spans four decades and over one hundred productions. Favorites include Jesus Christ Superstar, The Music Man, The Sound of Music, Hair, Cabaret, Urinetown, Into the Woods, A Funny Thing Happened on the Way to the Forum, Man of La Mancha, Godspell, Children of Eden, My Fair Lady, Anything Goes, Brigadoon, and Oklahoma. Terri has acted nationally and internationally and has received multiple awards from Cleveland Critics Circle. Her acting credits include Shakespeare’s Lady Macbeth, the title role in Hello Dolly, Desiree in A Little Night Music, Mrs. Cratchit in A Christmas Carol, and the mother in Quilters. In 1990, Terri travelled to India as a Fulbright Professor, where she directed Steel Magnolias in New Delhi and Macbeth in Maudurai. At Kent State she has won many awards including the President’s Excellence Award and the Centennial Award, the highest awards granted to faculty by the University and the College of the Arts, respectively. 

When Terri is not directing, teaching, or acting, she enjoys crafting, reading, and vacationing at the beach. Terri feels blessed to be in a long-term successful marriage with another theatre artist, Rohn Thomas. Rohn and Terri met playing Adelaide and Nathan in Guys and Dolls, and eloped three days after the show closed. She is mother to four adult children, Hunter, Morgan, Sam, and Kaishawn. She is often surrounded by fur babies Button and Binky, and is rarely seen without her dear companion Bean, the dog. Terri believes in the power of the theatre to transform lives!

Finding the Method in the Efforts is a movement based acting process that is immediately applicable to the stage.  Have you ever wondered why you keep getting cast in the same kind of roles? Or feel as if you are being type-cast? You can change one simple element, either time, weight, or focus, and create a dramatically different character.

This workbook has everything you need to explore a movement based acting process including 15 explicit exercises, daily lessons plans, and space for journaling your reactions and observations.

In addition, the exploration of elements in Laban's Effort work, will help you identify actions that trigger emotional responses, much like classical conditioning, as seen in Stanislavski's Method of Physical Action.  You will be able to create a catalogue of emotionally connected actions which you can tap into when performing.

About the Author
Introduction 

EXERCISE #1 Defining and Exploring the Elements
EXERCISE #2 Exploring the Elements through Situational Application
EXERCISE #3 Combining the Elements or Laban’s Effort Work
EXERCISE #4 Introducing the Element of Flow 
EXERCISE #5 Applying the Efforts to Physical Action
EXERCISE #6 Incorporating the Breath and the Voice
EXERCISE #7 Shaping Language with the Efforts
EXERCISE #8 Exploring Personal Evaluations 
EXERCISE #9 Fulfilling Intentions with Efforts
EXERCISE #10 Creating Character with Efforts
EXERCISE #11 Presenting a Monologue with a Single Effort
EXERCISE #12 Making a Transition with Effort
EXERCISE #13 Presentation of Diagramed Monologue
EXERCISE #14 Diagraming a Scripted Monologue
EXERCISE #15 Final Presentation of Scripted Material

Conclusion 
Bibliography

Terri Kent

Terri Kent is a renowned theatre artist with forty-plus years of experience. She is a member of Actors’ Equity Association (AEA) and the Stage Directors and Choreographers Society (SDC). Terri is the Producing Artistic Director of Porthouse Theatre, the professional company affiliated with Kent State University, where she also serves as Professor and head of the nationally acclaimed BFA Musical Theatre program. Terri’s directing career spans four decades and over one hundred productions. Favorites include Jesus Christ Superstar, The Music Man, The Sound of Music, Hair, Cabaret, Urinetown, Into the Woods, A Funny Thing Happened on the Way to the Forum, Man of La Mancha, Godspell, Children of Eden, My Fair Lady, Anything Goes, Brigadoon, and Oklahoma. Terri has acted nationally and internationally and has received multiple awards from Cleveland Critics Circle. Her acting credits include Shakespeare’s Lady Macbeth, the title role in Hello Dolly, Desiree in A Little Night Music, Mrs. Cratchit in A Christmas Carol, and the mother in Quilters. In 1990, Terri travelled to India as a Fulbright Professor, where she directed Steel Magnolias in New Delhi and Macbeth in Maudurai. At Kent State she has won many awards including the President’s Excellence Award and the Centennial Award, the highest awards granted to faculty by the University and the College of the Arts, respectively. 

When Terri is not directing, teaching, or acting, she enjoys crafting, reading, and vacationing at the beach. Terri feels blessed to be in a long-term successful marriage with another theatre artist, Rohn Thomas. Rohn and Terri met playing Adelaide and Nathan in Guys and Dolls, and eloped three days after the show closed. She is mother to four adult children, Hunter, Morgan, Sam, and Kaishawn. She is often surrounded by fur babies Button and Binky, and is rarely seen without her dear companion Bean, the dog. Terri believes in the power of the theatre to transform lives!