Intersectionality: An Arts-Based Approach to Student Awareness

Author(s): LARRY EDMONDS

Edition: 1

Copyright: 2023

Pages: 112

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$49.35

ISBN 9798765750698

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Intersectionality: An Arts-Based Approach to Student Awareness offers insights into the importance of understanding contemporary diversity and inclusion while applying arts-based research and reporting, such as poetry and visual ethnography, to expand knowledge acquisition.

 Intersectionality: An Arts-Based Approach to Student Awareness provides easy-to-understand principles to a better understanding of the study of full-spectrum diversity and inclusion as well as examples of arts-based research and reporting that can further enhance the mélange of STEM and the arts research (STEAM), in which there is a growing interest among academics and the general public.

This edition can be a valuable addition to the working library and a reference for educators and/or learners who are engaged in and/or interested in qualitative, quantitative, mixed methods research. Individuals who are aficionados of the arts can also learn more about the expressions of feelings of sample learners and how they make meaning of arts-based research and reporting as well for general interest.

An apt inclusion in course curricula for face-to-face and online courses in Communication, Sociology, Psychology, Humanities, and other behavioral sciences, the arts, and research methods and theory courses. Intersectionality: An Arts-Based Approach to Student Awareness may be utilized as a stand-alone text, as a supplement to the primary coursework, or as a general interest offering.

Preface 

About the Author 

Chapter 1     Intersectionalities of Identity and Arts-Based   Applications 

INTERSECTIONS OF IDENTITY 

SITUATED CONTEXT 

THE GENDER AND COMMUNICATION COURSE 

HEGEMONY AND DISCRIMINATION 

RESEARCH IN SITUATED CONTEXT 

PURPOSE AND MAKING MEANING 

Chapter 2     What About the Literature and Guiding Perspectives? 

GUIDING PERSPECTIVES 

THE SYMBOLS OF COMMUNICATION 

GUIDING QUALITATIVE/ARTS-BASED METHOD 

MEANING-MAKING AND INTERSECTIONALITY 

VIEWS ON LEARNING 

POETRY 

Chapter 3     Method 

RESEARCH DESIGN 

STUDY CONTEXT: THE ONLINE COURSE 

PARTICIPANTS AND PSEUDONYMS 

MATERIALS 

PROCEDURE 

DATA ANALYSIS PLAN 

Chapter 4     Results 

THE POEMS 

Chapter 5     Discussion—What Does It All Mean? 

LIMITATIONS AND FUTURE DIRECTIONS 

References 

Appendix 

A   “AIN'T I A WOMAN?” SPEECH 

B     VIGNETTES READ BY PARTICIPANTS 

C     SAMPLES OF ALTERNATIVE EXTRA CEDIT OPPORTUNITIES FOR NONPARTICIPANTS IN THE CLASS 

D     SAMPLE FULL-CLASS ASSIGNMENTS 

E     CODE SHEET, POEM ONE, RELATIVE TO RQ1 

F     CODE SHEET, POEM TWO, RELATIVE TO RQ2 

G     CODE SHEET, POEM THREE, RELATIVE TO RQ

H     CODE SHEET, POEM FOUR, RELATIVE TO RQ4 

I     CODE SHEET, POEM FIVE, RELATIVE TO RQ5 

J     COURSE SYLLABUS 

TABLE  1.     Poem Assignment Timetable

LARRY EDMONDS

Intersectionality: An Arts-Based Approach to Student Awareness offers insights into the importance of understanding contemporary diversity and inclusion while applying arts-based research and reporting, such as poetry and visual ethnography, to expand knowledge acquisition.

 Intersectionality: An Arts-Based Approach to Student Awareness provides easy-to-understand principles to a better understanding of the study of full-spectrum diversity and inclusion as well as examples of arts-based research and reporting that can further enhance the mélange of STEM and the arts research (STEAM), in which there is a growing interest among academics and the general public.

This edition can be a valuable addition to the working library and a reference for educators and/or learners who are engaged in and/or interested in qualitative, quantitative, mixed methods research. Individuals who are aficionados of the arts can also learn more about the expressions of feelings of sample learners and how they make meaning of arts-based research and reporting as well for general interest.

An apt inclusion in course curricula for face-to-face and online courses in Communication, Sociology, Psychology, Humanities, and other behavioral sciences, the arts, and research methods and theory courses. Intersectionality: An Arts-Based Approach to Student Awareness may be utilized as a stand-alone text, as a supplement to the primary coursework, or as a general interest offering.

Preface 

About the Author 

Chapter 1     Intersectionalities of Identity and Arts-Based   Applications 

INTERSECTIONS OF IDENTITY 

SITUATED CONTEXT 

THE GENDER AND COMMUNICATION COURSE 

HEGEMONY AND DISCRIMINATION 

RESEARCH IN SITUATED CONTEXT 

PURPOSE AND MAKING MEANING 

Chapter 2     What About the Literature and Guiding Perspectives? 

GUIDING PERSPECTIVES 

THE SYMBOLS OF COMMUNICATION 

GUIDING QUALITATIVE/ARTS-BASED METHOD 

MEANING-MAKING AND INTERSECTIONALITY 

VIEWS ON LEARNING 

POETRY 

Chapter 3     Method 

RESEARCH DESIGN 

STUDY CONTEXT: THE ONLINE COURSE 

PARTICIPANTS AND PSEUDONYMS 

MATERIALS 

PROCEDURE 

DATA ANALYSIS PLAN 

Chapter 4     Results 

THE POEMS 

Chapter 5     Discussion—What Does It All Mean? 

LIMITATIONS AND FUTURE DIRECTIONS 

References 

Appendix 

A   “AIN'T I A WOMAN?” SPEECH 

B     VIGNETTES READ BY PARTICIPANTS 

C     SAMPLES OF ALTERNATIVE EXTRA CEDIT OPPORTUNITIES FOR NONPARTICIPANTS IN THE CLASS 

D     SAMPLE FULL-CLASS ASSIGNMENTS 

E     CODE SHEET, POEM ONE, RELATIVE TO RQ1 

F     CODE SHEET, POEM TWO, RELATIVE TO RQ2 

G     CODE SHEET, POEM THREE, RELATIVE TO RQ

H     CODE SHEET, POEM FOUR, RELATIVE TO RQ4 

I     CODE SHEET, POEM FIVE, RELATIVE TO RQ5 

J     COURSE SYLLABUS 

TABLE  1.     Poem Assignment Timetable

LARRY EDMONDS