Introduction to Film Studies: History, Production and Genre

Author(s): Sean Cobb

Edition: 1

Copyright: 2014

Pages: 268

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$72.93 USD

ISBN 9781465241306

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This text offers a historical overview of film from its early technological beginnings through the major industrial and artistic shifts that shaped modern cinema. It traces the development of moving images in the late 19th century, the rise of the Hollywood studio system during the early 20th century, and the consolidation of film as a dominant cultural form during the “Dream Machine” era. The narrative then follows the period of upheaval and transformation in mid-century cinema, marked by industry decline and changing audience expectations, before concluding with the emergence of New Hollywood, a movement that introduced more director-driven storytelling, experimentation, and new cinematic styles that redefined American filmmaking.

Section One: Film History

Chapter 1 Moving Images (1872-1929)

Chapter 2 Dream Machine (1920-1941)

Chapter 3 The Collapse (1941-1967)

Chapter 4 New Hollywood Cinema ( 1967-1980) 

Sean Cobb

Sean Cobb is an Associate Professor of English and Director of the Film and Media Studies Program at Gustavus Adolphus College. He teaches courses in literature, film, and media studies, with a focus on how narrative and visual media shape perception and meaning. He earned his B.A., M.A., and Ph.D. from the University of Arizona. His academic interests include contemporary literature and film, as well as interdisciplinary areas such as vision science, computer science, cognitive theories of film, and consciousness.

This text offers a historical overview of film from its early technological beginnings through the major industrial and artistic shifts that shaped modern cinema. It traces the development of moving images in the late 19th century, the rise of the Hollywood studio system during the early 20th century, and the consolidation of film as a dominant cultural form during the “Dream Machine” era. The narrative then follows the period of upheaval and transformation in mid-century cinema, marked by industry decline and changing audience expectations, before concluding with the emergence of New Hollywood, a movement that introduced more director-driven storytelling, experimentation, and new cinematic styles that redefined American filmmaking.

Section One: Film History

Chapter 1 Moving Images (1872-1929)

Chapter 2 Dream Machine (1920-1941)

Chapter 3 The Collapse (1941-1967)

Chapter 4 New Hollywood Cinema ( 1967-1980) 

Sean Cobb

Sean Cobb is an Associate Professor of English and Director of the Film and Media Studies Program at Gustavus Adolphus College. He teaches courses in literature, film, and media studies, with a focus on how narrative and visual media shape perception and meaning. He earned his B.A., M.A., and Ph.D. from the University of Arizona. His academic interests include contemporary literature and film, as well as interdisciplinary areas such as vision science, computer science, cognitive theories of film, and consciousness.