Poems, Maxims and Extended Thoughts

Edition: 1

Copyright: 2016

Pages: 102

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$16.59

ISBN 9781524973919

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Good, sound reading, researching, and writing skills are essential if students are to successfully meet criteria for completion of academic degrees. Equally important is the development of strong voices for thinking aloud critically, posing and solving problems, and participating as engaged students in classroom discussions. Professors encounter multiple levels of preparation in composition courses, especially in this climate of technological advancements.

Students’ social lives are distanced from physical, face-to-face communication, enabling them to create personas and grow accustomed to brevity in communication (i.e., texting, Instagram®, Snapchat®) ready and able to choose new apps once created and disseminated. Educational institutions respond with enhanced smart classrooms and new and improved platforms for online courses. None of this poses problems for students with excellent support systems, students with the latest technology at their fingertips and skilled in switching from abbreviated language to formal, Standard English. These students will fair well. But some students cannot make the immediate leap and do not have the same background support systems and technology; the double-dutch jump into the fray is not easy, especially when they encounter educators lacking in the skills and tools to encourage reluctant readers and uncertain writers whose potential rests just beneath the surface of opportunity.

Poems, Maxims & Extended Thoughts​ is intended not only as a learning tool, purposefully seeking to remove layers of self-doubt, to challenge students to enter the academic world unafraid by providing reasons to read, write, express, respond, research and demonstrate movement from narrative to argument structures; it is also a cultural tool to make visible some of the problems faced by everyone, to reopen the door for discussion and communication.

Preface
Introduction

CHAPTER ONE: THE POEMS
 Messengers
 Howling at the Moon
 Use Me No More My Brothers
 Yellow Leaves
 Communication
 Images
 Mark
 Writing
 Older, But not Wiser
 What Were You Saying?
 Listening and Hearing (Making Connections)
 DD The Bag Boy
 Only If
 Not Again!
 Discipline Not Taken Lightly
 So You’re Married . . . How About That?
 The Best Kisses
 Making Love Is Not a Fight
 The Telegraphed Note
 Blank Card
 Promises
Torn Up
 Sadness
 I Never Thought That I
 Lessons Learned
 You Lied
 Thank You!
 Study Habits
 If I Ever Cross Your Mind
 Hello . . . ?
 You Asked
 When
 I Love
 Truths: I Can’t Come to Class Today

CHAPTER TWO: THE MAXIMS
 Metaphor
 Healing
 If
 Excuses
 The Question
 Phenomenology “. . . Getting Back to the Things Themselves” (Husserl)
 Sitting Still Is Often the Best Course of Action
 Outsourcing Contributes to Poverty and Hunger in America
 Lost in Here
 Where I Live
 Searching
 No Appreciation? So What?
 For the Children
 Maybe It’s the Wind
 Sitting Across the Table
 Sorry
 Brothers
 Cold Shoulder
 A Loving Mother and Wife
 Enlightenment
 Mommy
 Defiance
 Wilderness
 While You Slept
 Grandmother
 Daughter
 Cutting Losses and Mourning
 Time
 To Live
 The Hug
 Pugs
 Turtles
 Apathy USA
 Judas Kiss
 Life
 Insensitive
 Generation X
 Microaggressions
 Resistance
 When Students Tune Out
 Movement
 Feet
 Aging
 Headache
 Observant and Focused (Recognizing Aggression)
 The Widening of the Gap in Educational Achievement
 Holding onto Hate
 New Material
 From Narrative to Formal Writing
 Agenda
 Stolen
 Spirited Away
 Coming from Another Place
 Where Does Hate Come From?
 Into the Night and Lost Forever (An Interior Monologue)
 Just Get a Job
 Idle Mind
 Conflict in Consciousness
 Was It Really Like That?
 For You, Granddaughter
 Cutting (For Casey)
 “Ahhhhhhhhhh . . .”
 The Kien Evolution
 Mom, Grandmother, Great-Grandmother: Things I, We Did Not Say

CHAPTER THREE: EXTENDED THOUGHTS
 Salamanders
 People of Color
 Finding a Sense of Purpose
 Eucalyptus Leaves
 Beneath It All
 The Dead Cat
 Exploring the Written Word
 Marginality: Promotion of the Theory and Use of the Label

Chriss Warren Foster

Good, sound reading, researching, and writing skills are essential if students are to successfully meet criteria for completion of academic degrees. Equally important is the development of strong voices for thinking aloud critically, posing and solving problems, and participating as engaged students in classroom discussions. Professors encounter multiple levels of preparation in composition courses, especially in this climate of technological advancements.

Students’ social lives are distanced from physical, face-to-face communication, enabling them to create personas and grow accustomed to brevity in communication (i.e., texting, Instagram®, Snapchat®) ready and able to choose new apps once created and disseminated. Educational institutions respond with enhanced smart classrooms and new and improved platforms for online courses. None of this poses problems for students with excellent support systems, students with the latest technology at their fingertips and skilled in switching from abbreviated language to formal, Standard English. These students will fair well. But some students cannot make the immediate leap and do not have the same background support systems and technology; the double-dutch jump into the fray is not easy, especially when they encounter educators lacking in the skills and tools to encourage reluctant readers and uncertain writers whose potential rests just beneath the surface of opportunity.

Poems, Maxims & Extended Thoughts​ is intended not only as a learning tool, purposefully seeking to remove layers of self-doubt, to challenge students to enter the academic world unafraid by providing reasons to read, write, express, respond, research and demonstrate movement from narrative to argument structures; it is also a cultural tool to make visible some of the problems faced by everyone, to reopen the door for discussion and communication.

Preface
Introduction

CHAPTER ONE: THE POEMS
 Messengers
 Howling at the Moon
 Use Me No More My Brothers
 Yellow Leaves
 Communication
 Images
 Mark
 Writing
 Older, But not Wiser
 What Were You Saying?
 Listening and Hearing (Making Connections)
 DD The Bag Boy
 Only If
 Not Again!
 Discipline Not Taken Lightly
 So You’re Married . . . How About That?
 The Best Kisses
 Making Love Is Not a Fight
 The Telegraphed Note
 Blank Card
 Promises
Torn Up
 Sadness
 I Never Thought That I
 Lessons Learned
 You Lied
 Thank You!
 Study Habits
 If I Ever Cross Your Mind
 Hello . . . ?
 You Asked
 When
 I Love
 Truths: I Can’t Come to Class Today

CHAPTER TWO: THE MAXIMS
 Metaphor
 Healing
 If
 Excuses
 The Question
 Phenomenology “. . . Getting Back to the Things Themselves” (Husserl)
 Sitting Still Is Often the Best Course of Action
 Outsourcing Contributes to Poverty and Hunger in America
 Lost in Here
 Where I Live
 Searching
 No Appreciation? So What?
 For the Children
 Maybe It’s the Wind
 Sitting Across the Table
 Sorry
 Brothers
 Cold Shoulder
 A Loving Mother and Wife
 Enlightenment
 Mommy
 Defiance
 Wilderness
 While You Slept
 Grandmother
 Daughter
 Cutting Losses and Mourning
 Time
 To Live
 The Hug
 Pugs
 Turtles
 Apathy USA
 Judas Kiss
 Life
 Insensitive
 Generation X
 Microaggressions
 Resistance
 When Students Tune Out
 Movement
 Feet
 Aging
 Headache
 Observant and Focused (Recognizing Aggression)
 The Widening of the Gap in Educational Achievement
 Holding onto Hate
 New Material
 From Narrative to Formal Writing
 Agenda
 Stolen
 Spirited Away
 Coming from Another Place
 Where Does Hate Come From?
 Into the Night and Lost Forever (An Interior Monologue)
 Just Get a Job
 Idle Mind
 Conflict in Consciousness
 Was It Really Like That?
 For You, Granddaughter
 Cutting (For Casey)
 “Ahhhhhhhhhh . . .”
 The Kien Evolution
 Mom, Grandmother, Great-Grandmother: Things I, We Did Not Say

CHAPTER THREE: EXTENDED THOUGHTS
 Salamanders
 People of Color
 Finding a Sense of Purpose
 Eucalyptus Leaves
 Beneath It All
 The Dead Cat
 Exploring the Written Word
 Marginality: Promotion of the Theory and Use of the Label

Chriss Warren Foster