The Screendance Practitioner's Workbook: A Pre-Production Guide for Creativity and Organization

Author(s): Brittany Fishel

Edition: 1

Copyright: 2022

Pages: 130

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$44.10

ISBN 9798765716762

Details Electronic Delivery EBOOK 180 days

The Screendance Practitioner’s Workbook: A Pre-Production Guide for Creativity and Organization takes artists through a step-by-step process of considerations before filming a screendance. From picking a project theme and location scouting, to creating production timelines and storyboards, it channels both creativity and organization for each project. Part journal, part guide, this book acts as a resource for artists to unleash their imagination and explore their personal aesthetics in dance filmmaking.

Chapter 1 Introduction

Chapter 2 Project Themes and Ideas

Chapter 3 Color as Mood

Chapter 4 Location Scouting

Chapter 5 Treatments, Storyboards, and Shot Lists

Chapter 6 Production Budgets and Timelines

Chapter 7 Moving into Production and Post-production

Chapter 8 Project Reflections

Brittany Fishel

Britt Whitmoyer Fishel is an award-winning choreographer, screendance maker, educator, and scholar. Her work examines relationships between the ephemeral nature of live performance and the permanence of dance in the digital sphere, with a research focus on the rhizomes of feminism, gender gap, access, and community. She is the director and curator of Opine Dance Film Festival, an annual, international screendance festival. Her creative work has been screened internationally in festivals and galleries and she continues to teach the practice of dance film nationally.

The Screendance Practitioner’s Workbook: A Pre-Production Guide for Creativity and Organization takes artists through a step-by-step process of considerations before filming a screendance. From picking a project theme and location scouting, to creating production timelines and storyboards, it channels both creativity and organization for each project. Part journal, part guide, this book acts as a resource for artists to unleash their imagination and explore their personal aesthetics in dance filmmaking.

Chapter 1 Introduction

Chapter 2 Project Themes and Ideas

Chapter 3 Color as Mood

Chapter 4 Location Scouting

Chapter 5 Treatments, Storyboards, and Shot Lists

Chapter 6 Production Budgets and Timelines

Chapter 7 Moving into Production and Post-production

Chapter 8 Project Reflections

Brittany Fishel

Britt Whitmoyer Fishel is an award-winning choreographer, screendance maker, educator, and scholar. Her work examines relationships between the ephemeral nature of live performance and the permanence of dance in the digital sphere, with a research focus on the rhizomes of feminism, gender gap, access, and community. She is the director and curator of Opine Dance Film Festival, an annual, international screendance festival. Her creative work has been screened internationally in festivals and galleries and she continues to teach the practice of dance film nationally.