Screenwriting: An Adventure into Wonder

Edition: 2

Copyright: 2024

Pages: 92

Choose Your Format

Choose Your Platform | Help Me Choose

Ebook

$21.00

ISBN 9798385115723

Details Electronic Delivery EBOOK 180 days

Screenwriting: Adventure into Wonder explores the wonder of storytelling from a Judeo-Christian perspective. At its heart, the text addresses the idea that all story is born out of a broken relationship with God.  Fundamentally it suggests story is a purposeful and meaningful encounter with God for the writer and hopefully at some level for a reader or viewer of fictional stories. This screenwriting book is a guide for writers to explore the wonder of their own story and how their own life informs stories they want to tell.

  • Act One of the text helps a writer consider the origins of story, the root of human conflict, and the personal dynamics of character all in relation to a student’s own story. The backdrop for this exploration is the struggle between the image of God and the image of sinful human in every soul.
  • Act Two lays a framework for the practical aspects of writing screenplays, from idea generation to character development to screenplay structure.
  • Act Three hopefully propels the reader to believe the value of the stories they create because of the intrinsic value they have as a child of God.
  • Completing the Writing Exercises, students will write authentically and honestly by exploring their own life stories.

Act 1: The Set Up

Act 1, Scene 1
    
The Importance of Your Story
     Why Tell Your Stories?
     Who Are You? Where did you come from?
     Writing Exercise

Act 1, Scene 2  
    Who Created Story?
    Why did God create Story? The Universality of Emotional Truth
    Writing Exercises

Act 1, Scene 3
    
Paradise—Fall—Paradise
     God’s Story
     Classic Story
     Story, The Father’s Call
     No Conflict, No Story
     Writing Exercise

Act 1, Scene 4
    
The Heart of Conflict
     The First Instance of Conflict (The Heart of Conflict)
     The Next Level of Conflict
          Sinful Human and God
          Human Made in God’s Image and Sinful Human
          Sinful Human and Sinful Human
     The Reality of the Spirit World
     Summary
     Writing Exercise

Act 1 Scene 5
    
The Judeo-Christian Imagination
     Image-Makers
     The Moral Universe
     Redemption
          Explicit Redemption
          Implicit Redemption
     Summary
     Writing Exercises

Act 2: Rising Action

Act 2, Scene 6
   
 Story Idea Generation
    Adore or Abhor
    Story Idea Sparks
         Media
         Personal Influencers
        Scriptures or Quotes
        Historical Events or People
        Social Issues
    Summary
    Writing Exercise

Act 2, Scene 7
    
Character Development
     The Want
     The Need
     The Flaw, The Mask, and The Imposter
          The Flaw
          The Mask
          The Imposter
     Intimacy with Your Characters
     Summary
     Writing Exercises

Act 2, Scene 8
    
Intro to Story Structure
     Story Structure’s Essential Parts
          Beat, Scene, Sequence, Act, Play
     Three Act Structure
     Plot and Plot Points
          Minor Plot Point
          Moderate Plot Point
          Major Plot Point
          The Main Plot
          Subplots
     Writing Exercise

Act 2, Scene 9
    
Intro to Three Act Structure
     Act I
          The Hook
          The World
          The Flaw and The Mask
          The Force of Antagonism
          The Catalyst
          The Inciting Incident
     Writing Exercise

Act 2, Scene 10
     
Act II
           B Storyline
           Rising Action
           The Crisis
           Act II Climax
       Act III
           The Climax
           The Climax: Open or Closed Ending
           The Denouement
       Writing Exercise

Act 3: Climax

Act 3, Scene 11
      
A Charge
       Image of God in You
       Human Beings
       Ultimate Wonder
       Writing Exercise

Appendix: Suggested Reading

Michael Torres
Durrell Nelson

Screenwriting: Adventure into Wonder explores the wonder of storytelling from a Judeo-Christian perspective. At its heart, the text addresses the idea that all story is born out of a broken relationship with God.  Fundamentally it suggests story is a purposeful and meaningful encounter with God for the writer and hopefully at some level for a reader or viewer of fictional stories. This screenwriting book is a guide for writers to explore the wonder of their own story and how their own life informs stories they want to tell.

  • Act One of the text helps a writer consider the origins of story, the root of human conflict, and the personal dynamics of character all in relation to a student’s own story. The backdrop for this exploration is the struggle between the image of God and the image of sinful human in every soul.
  • Act Two lays a framework for the practical aspects of writing screenplays, from idea generation to character development to screenplay structure.
  • Act Three hopefully propels the reader to believe the value of the stories they create because of the intrinsic value they have as a child of God.
  • Completing the Writing Exercises, students will write authentically and honestly by exploring their own life stories.

Act 1: The Set Up

Act 1, Scene 1
    
The Importance of Your Story
     Why Tell Your Stories?
     Who Are You? Where did you come from?
     Writing Exercise

Act 1, Scene 2  
    Who Created Story?
    Why did God create Story? The Universality of Emotional Truth
    Writing Exercises

Act 1, Scene 3
    
Paradise—Fall—Paradise
     God’s Story
     Classic Story
     Story, The Father’s Call
     No Conflict, No Story
     Writing Exercise

Act 1, Scene 4
    
The Heart of Conflict
     The First Instance of Conflict (The Heart of Conflict)
     The Next Level of Conflict
          Sinful Human and God
          Human Made in God’s Image and Sinful Human
          Sinful Human and Sinful Human
     The Reality of the Spirit World
     Summary
     Writing Exercise

Act 1 Scene 5
    
The Judeo-Christian Imagination
     Image-Makers
     The Moral Universe
     Redemption
          Explicit Redemption
          Implicit Redemption
     Summary
     Writing Exercises

Act 2: Rising Action

Act 2, Scene 6
   
 Story Idea Generation
    Adore or Abhor
    Story Idea Sparks
         Media
         Personal Influencers
        Scriptures or Quotes
        Historical Events or People
        Social Issues
    Summary
    Writing Exercise

Act 2, Scene 7
    
Character Development
     The Want
     The Need
     The Flaw, The Mask, and The Imposter
          The Flaw
          The Mask
          The Imposter
     Intimacy with Your Characters
     Summary
     Writing Exercises

Act 2, Scene 8
    
Intro to Story Structure
     Story Structure’s Essential Parts
          Beat, Scene, Sequence, Act, Play
     Three Act Structure
     Plot and Plot Points
          Minor Plot Point
          Moderate Plot Point
          Major Plot Point
          The Main Plot
          Subplots
     Writing Exercise

Act 2, Scene 9
    
Intro to Three Act Structure
     Act I
          The Hook
          The World
          The Flaw and The Mask
          The Force of Antagonism
          The Catalyst
          The Inciting Incident
     Writing Exercise

Act 2, Scene 10
     
Act II
           B Storyline
           Rising Action
           The Crisis
           Act II Climax
       Act III
           The Climax
           The Climax: Open or Closed Ending
           The Denouement
       Writing Exercise

Act 3: Climax

Act 3, Scene 11
      
A Charge
       Image of God in You
       Human Beings
       Ultimate Wonder
       Writing Exercise

Appendix: Suggested Reading

Michael Torres
Durrell Nelson